El artista japonés [teamLab](https://www.team-lab.net/) recreó el fuego y el agua con un innovador sistema de escultura luminosa en sus nuevos proyectos Black Waves into Infinity y Light Sculpture of Flames.

_Flamas_ es un cubo de luz orquestado por un algoritmo que usa técnicas de puntillismo como lo hizo Georges Seurat y Maximilian Luce para simular ardientes golpes llamaradas. &#x201c;La mayoría de las flamas se crean en el centro mientras que el rededor está iluminado con capas rojas que le dan un efecto de 3D&#x201d; escribe teamLab.

Black Waves es un cuarto de espejos infinito que simula al océano proyectándose de manera generativa en tiempo real. Cientos de miles de cálculos se necesitaron para la concepción de esta experiencia única e irreplicable. El diseño pretende mostrar como ilustraban el agua los antiguos japoneses.

teamLab: Living Digital Space and Future Parks
Feb 6(Sat) – Dec 18(Sun), 2016
PACE Menlo Park
http://exhibition.team-lab.net/siliconvalley/

teamLab: Living Digital Space and Future Parks
2016年2月6日（土） – 12月18日（日）
PACE Menlo Park
http://exhibition.team-lab.net/siliconvalley/

・Black Waves in Infinity

The movement of waves of water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To express the waves, the behavior of the particles at the surface of the water was then extracted and lines were drawn in relation to the movement of the particles. The 3-D wave created in a 3-D virtual space is then turned into an artwork in accordance with what teamLab refers to as "Ultra Subjective Space."

In pre-modern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.
Did people in pre-modern times see the world (oceans, rivers and other bodies of water) as a living entity made up of a collection of lines just as depicted in classical Japanese painting?


This form of expression causes us to question why pre-modern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of pre-modern people.

On viewing this artwork, regardless of the fact the waves are a reproduction of a physical phenomena, if we feel a sense of life in the collection of lines, what can be called the subjective world of pre-modern people, then perhaps this is one aspect of objective recognition, and there is a different side to the the modern objective world view.

If when viewing this artwork, as opposed to waves shot with a video camera, people feel that the barrier between themselves and the waves disappears, they feel immersed in the work, perhaps even feeling life in the collection of lines, and that the waves are luring them in, then perhaps we can find a connection to the way pre-modern Japanese people perceived the world and consequently behaved towards the world.

If we regard ourselves as a part of nature, and that nature is not something just to be observed, as people of old perceived rivers and oceans as a living entity of which they were a part of, then it is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature, removing the boundary between us and nature.

https://www.team-lab.net/w/blackwaves_in_infinity/

・Black Waves in Infinity

コンピューター上の空間で、三次元上の水の動きをシュミレーションし波を構築している。水は、無数の水の粒子の連続体で表現し、粒子間の相互作用を計算している。そして、波の表層部分の水の粒子の挙動で線を描き、三次元上の波の表層に線を描いている。そして、仮想の三次元空間に立体的に描かれた線の集合を、チームラボが考える「超主観空間」によって平面化し映像作品にしている。

前近代の日本の絵画では、川や海など水は、線の集合として表現されることが多い。そして、その線の集合はまるで生き物かのようにどこか生命感を感じる。前近代の人々らには、実際、古典的な日本の絵画（川や海などで言うならば、まるで生き物のように見える線の集合）のように、世界が見えていたのではないだろうか。


「なぜ、前近代の人々が川や海そのものに生命を感じていたかのようなふるまいをしていたのか？」、そして、「なぜ、彼ら自身も自然の一部であるかのようなふるまいをしていたのか？」という疑問へのヒントが、それらの絵画表現の中にあるように感じる。

もし、ビデオカメラで切り取った本物の波よりも、本作の波の方に、より鑑賞者と作品世界との間に境界線がなくなるような、作品世界に入り込むような感覚、もっと大胆に言えば、その線の集合にすら生命体だと感じ、まるで鑑賞者が波に憑依するかのような体験をするならば、前近代的な日本の「世界の見え方」と、そこから発生する「世界に対するふるまい」とのつながりが見えてくる。

自然とは観察の対象ではなく、「自分自身も自然の一部である」と考えていたかのようなふるまいは、単に、かつての人々の見え方が、川や海のような自然の一部を生命体のように見せ、自然の一部にすら憑依させてしまいやすい見え方だったからではないだろうか。つまり、自然と自分との境界がないような感覚になりやすい見え方だったからではないだろうかと思うのだ。

https://www.team-lab.net/jp/w/blackwaves_in_infinity/

Black Waves in Infinity beta ver

This artwork uses accumulated light points to create a sculptural body, similar to the way distinct dots of color form an image in a pointillist painting. Since the sculpture is made of light, it can be controlled digitally and is interactive.

Fire does not have mass; it is a phenomenon in which flammable substances and oxygen react, radiating heat and light. The shape of a flame is formed by the aggregate of such light. Many people perceive fire, a phenomenon, as an object, and sometimes feel a sense of life in fire. Light Sculpture of Flames belongs to a series of endeavors to transform a phenomenon into a sculptural object using accumulated light particles.

Most flames appear white at the center and red towards the outside, creating an appearance of layered colors, an effect that cannot be expressed with a solid three-dimensional object. This artwork, with a flat painterly quality, seeks to express a layered flame in a sculptural form. From any angle, the sculpture appears as a solid object of flames expressed in layers of colors.

The artwork does not use pre-recorded imagery; it is continuously created in real-time by a computer program and is in a constant process of transformation. Each moment is unique and never repeated.

Light Sculpture of Flames beta ver

Mira más trabajos de teamLab en su [sitio](http://team-lab.net/).

**_[Figuras geométricas mutantes son proyectadas en una bodega de Brooklyn](http://thecreatorsproject.vice.com/es_mx/blog/figuras-geometricas-mutantes-son-proyectadas-en-una-bodega-de-brooklyn)_**

**_[Subibajas luminosos componen melodías originales al moverse](http://thecreatorsproject.vice.com/es_mx/blog/subibajas-luminosos-componen-melodias-originales-al-moverse)_**

**_[Sillas de madera se transforman en aserrín dentro de esta instalación](http://thecreatorsproject.vice.com/es_mx/blog/sillas-de-madera-se-transforman-en-aserrin-dentro-de-esta-instalacion)_**

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Con algoritmos de puntillismo teamLab logró recrear un enfrentamiento entre de caudales de agua y ardientes llamaradas. 

FYI.

This story is over 5 years old.

El fuego y el agua se enfrentan en una impresionante instalación

FYI.

This story is over 5 years old.

El fuego y el agua se enfrentan en una impresionante instalación

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