futurism
New Drone Footage Shows Saudi Arabia's Desert Megacity 'The Line' Under Construction
Saudi Arabia has started to break ground on one of the pipe dream projects within its $500 billion NEOM development.
'The Colonists' Is a Cute, Rewarding, and Dystopian Space Exploration Game
Look on my throughput and despair.
We Asked 105 Experts What Scares and Inspires Them Most About the Future
Climate change, extremism, and artificial intelligence were among the top fears, and young people, technology, and equality were among the top hopes.
I Tried to Eat Like an Italian Futurist and Learned that Fascism Isn't Delicious
One hundred years ago, an avant-garde group set out to transform meals into performance pieces. Were they any good?
We’ve Already Seen the Future ‘Altered Carbon’ Has to Offer
There’s nothing “punk” about today’s cyberpunk.
Will Exoskeletons Give Us Superpowers?
All the strength of a body builder, with none of the body oil. We test out the latest bionic enhancements in the first episode of FLUX.
We Are Never, Ever, Ever Getting a Monorail
‘There’s nothing on Earth like a genuine, bona fide, electrified, six-car monorail!’
What Right-Wing Militants Are Hoping for After a Government Collapse
We talked to Three Percenters and experts on the modern militia movement about their nebulous vision of a future many Americans want nothing to do with.
Exploring the Future of Astro-Blackness
Talking African metaphysics and the next wave of Afrofuturism with Dr. Reynaldo Anderson.
Avoiding Mass Extinction Was the Goal of This Music and Climate Festival
Thought leaders in education, business, environmentalism, technology, and policy convened at Creating Equilibrium to come up with actionable solutions to the world's worst problems.
Stereolab's 'Dots and Loops' Is the Jazziest Anti-Capitalist Manifesto 20 Years On
'Dots and Loops' remains the experimental pop band's most sonically accessible and politically important record.
My Manifesto: The Manifesto that Isn't
Inaugurating a series of original artists' manifestos commissioned exclusively for GARAGE, sculptor Keith Edmier takes a cue from two notorious texts of the past century, bookending his own unique proclamation with a paradoxical denial of the form itself.